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1944 Ratings 7,8 / 10 stars Cast Judy Garland, Margaret O'Brien Rating 19298 votes duration 1 H 53min.

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She KILLED this song. didn't overdo it. she told a story in her voice.

Meet me in st. louis youtube. Meet me in st. louis imdb. Meet Me in St Louis was the second pairing of producer Arthur Freed and director Vincente Minnelli, but unlike their first collaboration on Cabin in the Sky, this time both appear to have hit their stride and made a mission statement on how a screen musical should be made.
Meet Me in St Louis is sometimes wrongly identified as the first "integrated" musical – that is, a musical in which the songs are part of the story rather than distinct interludes. However there were plenty before this, going back to 1929's The Love Parade, as well as the 1936 version of Showboat, the Disney features and of course the one everyone knows, The Wizard of Oz. In fact you could say that this picture is less integrated than many of those earlier musicals, as its score is cobbled together from a mix of new material and period songs – few of which literally relate to the story in the way that say, Hammerstein's lyrics do.
But Freed was after a different kind of integration. The exact lyrics do not really matter, it's how the placing of the song makes it part of the narrative. For example, look how the title song is used in the opening scene to introduce the family, moving from room to room and character to character, whilst simultaneously keying us into the mood of the picture. We also have "The Trolley Song" – in itself a fairly meaningless ditty about riding a trolley and falling in love, but as the number plays out we see Judy Garland's disappointment that John Truett is not on board, followed by her rush of excitement to see him catch it at the last minute, which eventually turns to embarrassment as she doesn't know what to say to him. "The Trolley Song" is effectively a scene in its own right even though, apart from a few lines at the beginning, it has no dialogue. That is the Freed effect.
Minnelli was perhaps the perfect director to work with Freed, and he had many of his own ideas about how a musical should be shot. In 1930s musicals, the songs were all too often shot and choreographed flatly, as if shooting a stage performance. When directors did experiment with a musical filming technique they tended to be either filling a unique niche (Busby Berkely) or they were making one-offs and never returned to the genre (James Whale in Showboat; King Vidor in the prologue of Wizard of Oz. Minnelli's approach is subtle, and yet it is so precise. In a slow song like "The Boy Next Door" he just gradually changes the framing around Judy Garland as the song moves from one verse to the next, in a similar way to how Vidor filmed her singing "Somewhere over the Rainbow. In a busy dance number like "Skip to My Lou" he keeps the camera moving in time with the music, following one dancer and then another as they take it in turns to pick up the song. The camera had not been so smoothly woven into the choreography since Busby Berkely's heyday in the early 1930s – but the difference is that while Berkely's numbers were completely abstract, Minnelli's make sense as part of the scene.
Perhaps the most pioneering moment in Meet Me in St Louis is his staging of Have Yourself a Merry Little Christmas, which is even more restrained than "The Boy Next Door. The camera does not even move, although the shot changes a few times to give us close-ups at key moments. But Minnelli makes a subtle kind of choreography out of the smallest movements – Judy Garland putting down the music box, then taking off her bonnet – little actions that keep the number moving visually without being jarring or intrusive.
Aside from the music, Minnelli had now developed into a competent and unique filmmaker. Of most obvious note is his exquisite shot composition and use of colour, which is extra special because whereas most directors would colour co-ordinate a set or an establishing shot, Minnelli plans the colour arrangements for wherever the actors are standing or the camera is pointing at any given moment. Then there is his handling of the Halloween segment. It's the dullest part of the picture because it is the longest break without a song, but at least Minnelli gives it its own character, showing the scenario with a child's eye view, and mixing stereotyped horror atmospherics with comedy.
Of course Freed and Minnelli would be nowhere without their able collaborators. Ralph Blane, who actually had a longer career as a lyricist than as a musician, captures the spirit of the era with his original compositions. Judy Garland, despite being sick of playing teenage roles, shows a developing maturity and even displays a hint of the sass and cynicism that would later become her trademark. There isn't a single bad performance amongst the supporting cast, although the most enjoyable to watch are Harry Davenport and Margaret O'Brien – probably the most talented child actress of her era.
Meet Me in St Louis did very little that had not been done somewhere before, but nevertheless it is a landmark musical, but it helped establish the trend for all future screen musicals. It didn't mark the beginning of the integrated musical, but it marked the end of the non-integrated musical.

Meet me in st. louis cast of movie. Download Meet Me in St. Louis IMDB... Meet me in st louis watch online. The last person to live in this movie was jerry maren aka the green munchkin who was in the Lollipop Guild he died 476 days ago. To be a woman and wife. And let our men be men by adoring them and staying feminine, while smart without him knowing it. Lol. Love it.

Meet me in st. louis 1944 film trailer. Listening to this in October and just cant get over how beautiful her voice is. Meet me in st. louis trolley song. Some people say the singing doesn't fit, or ruins it, i completely disagree. i've listened to this god knows how many times, wish they were still around. fucking amazing band. I will always love Judy Garland. And will always be the biggest and greatest number 1 fan of hers. How can anyone in their sane mind not like this.

Meet me in st. louis song judy garland. SO SAY GOOD MORNING. Loved that movie thank you just fine out they made one 8n 1959 good. I actually cried listening to the song while reading the comments they keep coming with sad facts. Meet me in st. louis dvd. Its a classic- and even more than that it warms one's heart. She would not allowed herself to be exploited in today's world. Every single person that made this movie (besides some uncredited extras) is dead. The original novel was written 119 years ago. The creator, L Frank Baum died 100 years ago. The director, Victor Fleming died 70 years ago. Toto died 74 years ago. Dorothy died 50 years ago. Just think about it. It's crazy that this movie is still relevant in pop culture, and no matter what age you are, you know this movie.

Splendid movie true talent, Dont make movies like this anymore. 2019 i'm here❤. Meet me in st. louis movie. This song, coupled with Judy's tragic life, makes me want to cry every time I hear this. I'm performing this with my a cappella and I'm solo-ing for part of Judy's infamous song. I think I might sob on stage, and I don't think I care if I do. Grandpa use to say It isn't Christmas until you hear this song. Love and miss you very much. R.I.P. Meet me in st louis swing dance.

Technicolor technique was amazing in colours. Everything looks like a bright Disney Movie cartoon. Is it me or does judy have a great high register? D. She was lieing how did she get hurt. WATCH*MEet*Me*in*ST.*ONLINE*MTV Me&et& Me i~n I recommend the site Watch "Meet Me in St. Louis" Online Forbes. watch*Me&et` M`e*i*n*St.*Louis*online*vimeo. Meet me in st. louis sheet music. I ship it. This number makes the movie.